Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Sunday, March 18, 2018

Pic a Day - 3/12 to 3/18

Mon. Mar 12, ASL movie night viewing the infamous Black Sand

Tues. Mar 13, snow like stars

Wed. Mar 14, the mid-March return of winter

Thurs. Mar 15, suspended

Fri. Mar 16, pin-ups for our architecture project

Sat. Mar 17, I love finding kids' art left behind at the craft table

Sun. Mar 18, short-story writing

Sunday, October 8, 2017

Pic a Day - 10/2 to 10/8

Mon. Oct 2, stats reading in Hillcrest
Tues. Oct 3, working on some cover designs (I have not kept this novel hidden; it has just been a very long work in progress)
Wed. Oct 4
Thurs. Oct 5, the sculpture in front of Bi Hall
Fri. Oct 6, they've really got the grunge restaurant feel going
Sat. Oct 7, green chile cornbread (green chile courtesy of Maria!)
Sun. Oct 8, evening wanderings

Sunday, March 12, 2017

Pic a Day - 3/6 to 3/12

Mon. Mar 6, Mead
Tues. Mar 7, view of the triangular park from the 3rd floor of Twilight
Wed. Mar 8, floor plan of a character's apartment
Thurs. Mar 9, the prop puppet kids
Fri. Mar 10, berry oatmeal and Ross Dining's first dairy-free smoothie
Sat. Mar 11, random tidbit heading
Sun. Mar 12, planty-plant on the windowsill

Sunday, January 8, 2017

Pic a Day - 1/2 to 1/8

Mon. Jan 2, new year's writing inspiration
Tues. Jan 3, current favorite show
Wed. Jan 4, morning at the dentist
Thurs. Jan 5, I must have disillusioned myself that it's always sunny in NM
Fri. Jan 6, it takes exactly this much snow to make a snow day
Sat. Jan 7, Thai Vegan (of course)
Sun. Jan 8, presidents puzzle (mainly done by my mom)

Sunday, August 14, 2016

Pic a Day - 8/8 to 8/14

Mon. Aug 8, ten years after first seeing the movie, I finally read the book
Tues. Aug 9, Dimension cast hangout in Uptown
Wed. Aug 10, brewing
Thurs. Aug 11, inspiration after over a year of writer's block
Fri. Aug 12
Sat. Aug 13, hey. how's it going
Sun. Aug 14, long exposure on the moon - it looks like daytime!

Wednesday, January 8, 2014

A Message I Received on Twitter (& GA:BI Update)

So, recently I acquired a new follower on Twitter. 99% of the time, I have no idea who these people even are. (The 1% instance where I did was when my friend from school joined Twitter just recently and followed me. She's had the locker either above or next to me since middle school.) Anyway, I looked at the name, didn't recognize it; peeked at the mini-profile, and that combined with the profile picture made me think it was a pretty young guy. Not that young, but, younger than me, at least. I wondered if it was maybe someone I knew from parkour, but then dismissed the idea because how would they know my last name or even be able to find me on Twitter? (Or even remember that I exist? Most of the time I'm not at parkour; I've been solidly busy with history homework since two days ago. I know. Big surprise there.) So, as I normally do, I cheered silently that people were following me on Twitter, and not just relatives, and quickly forgot about it.

Today, however, when I was checking my four new interactions (my Galaxy has notifications that tell you when people mention and/or reply to you/your messages on Twitter and elsewhere), I noticed that this guy had sent me messages. I read them and was surprised by the mention of my book, and also of Mrs. Legendre (a teacher at my old elementary school). After I got past the surprise, I kept musing about how adorable these posts are. (The older one is on the bottom.)


My mom will be a substitute in John's class tomorrow, and will act as my spy. (Totally foolin', but I'm great at setting up spy missions. I did it back in November to investigate a comment about me made to the health teacher, who called me into her office. Anyway. My spy didn't find out who had said it; I did. Sad.) Anyway, she thinks maybe the school librarian at my old elementary school got a copy and that's how John found out about it. (The librarian had to deal with my friend and I begging to put our horse stories in the library back in third and fourth grade, so, maybe she figured I would keep writing? My mom thinks maybe she mentioned it (my writing a book) on the offhand in a class there or to the librarian. If we get any answers on that, I will get back to you.

For an update on Go Ahead: Be Inspired in reference to the piece I posted to TeenInk, titled "Tonight," I've been receiving emails. Mostly the usual: we've received your submission, and now it's online because we've approved it (as they do for all submissions). I did get an email saying it was voted #1 for fiction romance pieces yesterday at about 11 p.m. When I checked it today at 11 a.m., it was #3, but, hey, still top rated. Being any number is good.

Displaying 2014-01-08 11.37.01.jpg

Sunday, January 5, 2014

Go Ahead: Be Inspired

If you remember that I said one thing I loved for January 4th was "all-day story-writing inspiration," you're in luck. I want to share the story I wrote that day. "Why?" you might ask. Well, since the end of NaNo, I haven't had any inspiration to write anything (except my required essays for my English and history finals), and it came as a surprise to me that a story was playing out in my head without me even forcing it to go one way or the other.

Why did I call it Go Ahead: Be Inspired? Well, after the story reel started in my head, I reached for a notebook and with a grin said aloud, "Go ahead: be inspired" to myself before I started writing it. So, that's what I wrote on the top of the page, and that's what I've been calling this story.

I'm going to put the first little part here, and the link to the rest at the end if you're interested in how the story continues. (It's eight-and-a-half pages in length, total.) I also submitted this piece to TeenInk just a little while ago, under the title of "Tonight," mostly 'cause I had no idea what else to call it. If anything notable happens with that, I will get back to you.

Anyway. Here it is.

I don't know what it is, but I'm getting dizzy at his touch. I hold onto him without really knowing why I need an anchor, breathe in the fabric of his shirt without realizing how close I am to him, how I feel his each and every heartbeat against my cheek, how my head is a hair's breadth from his mouth, his lips.
When I pull back, he's gazing at me quizzically. Maybe he's enticed by my proximity, and he's confused now that I'm backing off. Maybe he's repulsed, and wondering why I felt the animal need to touch him, to feel him. His light hair hangs over his curious brown eyes, not quite obscuring them but leaving enough to the imagination.
“Ev, I-”
His hands grab at empty air, and his tongue falls limp, desperate for the right words.
“Greg, I'm sorry.”
“But- Ev-”
I turn, then, and suddenly, the doorknob that's always stuck in its rusty vengeance rotates smoothly in my fingers. I twist it and pass through. It aches, though. My whole body is as heavy as lead as I trudge down the hall, away from him. I can't bear it; I've caught myself in a corner where either choice I make will burn like fire. Stay and endure the long, painful hours of his touch without loving him? Or leave, and let the whole of my life with him crumble into ruins?
“I'm sorry.” I feel it; it's so tangible I taste its bitterness in the back of my mouth each time I try to swallow away the guilt. “I'm sorry.” Sorry for what? Sorry for every night we intertwined our bodies 'neath the light veil of the sheets? Sorry for all the times he smiled and teased me, calling me darling and touching his lips to my neck? Sorry for every time he tossed flowers or leaves or grass or snow into my hair then painstakingly made sure I was untouched, unblemished by his games?
Sorry that I loved him?
At the thought, my throat tightens and tears threaten to spill forth and stain my face. In some ways, I must admit, I am sorry for it. I'm sorry that I gave my whole heart to him to cherish then woke up one morning and realized how empty I felt. I'm sorry for every little argument we sparked that never truly got put out. I'm sorry I let him charm me; I'm sorry I let him win me over and then left him empty-handed when the lights finally went out.
Though I hate to admit it, I am sorry I loved him.
“It's for your own good, Greg,” I murmur aloud, fingering gingerly at the pendant around my neck. “I love you,” it says, in looping script engraved into a tiny golden heart. I undo the clasp that attaches it to my neck and let it fall to the ground where I stand.
“I love you.” 
It's all just a memory now, just a gold pendant lying on the pavement outside our apartment, begging to be forgotten.

Here's the entire story:  https://docs.google.com/document/d/1_rInf4eu6V9VkZNAraC5ePZwIdw6QsTLZCaHVzNAuJ0/edit?usp=sharing

Scroll 3/4 of the way down the first page to skip past seeing this part again and to read the continuation. If you have any thoughts on it, please comment, either in the document itself or on this blog post. (A note to more sensitive readers: there are a few instances of profanity.)

Thanks for reading.

Okay, sorry, I should probably also mention that the main character's (Evelyn's) decision is extremely controversial in our government and society today. If you have a strong opinion on her decision, I strongly advise you to comment. We may not agree, but that is fine.

Thanks again.

Tuesday, October 22, 2013

Chile vs. Chili

If you're totally fine with reading a nice little rant on grammar/spelling by yours truly, continue. If not, I totally get that. Who wants to read about why some freak is getting ticked off by some English-class thing? I mean, really? But anyway.

Okay, I am a New Mexico kid, and therefore, I have, for one thing, an unfair advantage in this situation, but also an extreme bias. Chile is the lifeblood of this state. We have a state question that asks "red or green?" referring to chile peppers. Usually New Mexicans have a strong preference for either side - for me, it's green, though I kind of just chose it because it has more character and was pretty good in combination with a cheeseburger. Green chile season comes in late summer, and roasting turnstiles permeate the air with the distinct smell of roasting chile.

Even within this state, there are people who flub. "Chili peppers" is often seen written on signs when, obviously, it should be chile. The cafeteria will serve "green chili stew," when they could have said "green chile chili" if they had really wanted, or rather just changed that i to an e. I understand that this sort of mix-up goes on outside the state as well, probably with more frequent occurrences.

In this article and also on the Dictionary.com definition, "chile" and "chili" are seen as interchangeable. With the passing of time and the continuous mistakes, it has likely become acceptable for either of those spellings, and/or "chilli," to fit. Mostly, with the spellings all falling under the i ending, the exact meaning is gathered from context.

Personally, here's how I see it. (I will provide everyone with a handy little translation here, so they can at least understand what I mean if they don't ride on the "e" versus "i" bandwagon.)

chile = spicy variety of pepper, grown in New Mexico (and probably other places in the southwest and nearabouts; I didn't conduct intensive research for this opinion piece)

chili = variety of stew, usually containing meat and also has vegetables; sometimes spicy due to variety of spices used in cooking

My understanding is that "chilli" is the British spelling of "chili," but I'm not sure on that. I also understand that Chile, capitalized, is also a country on the western coast of South America. (You know, the long and skinny one by the ocean?) Not to be confused with the peppers, at all.

If somebody writes "chili peppers," I know what they mean, because there aren't really meat-stew peppers that just grow readily on trees, waiting for the fall harvest. I've never seen a mix-up where somebody writes "chile" for "chili," mostly because they probably don't know the e-ending one, or know when precisely to use it. (Refer to above guide for some usage suggestions.)

So, maybe I got a couple people scratching their heads in confusion, or pumping fists in agreement, but, either way, I hope this was a learning experience for all parties involved, including me. (Yeah, that green chile is awesome.)


Sunday, September 15, 2013

What to Do... Romantic Trouble (5)

...in any situation where either a devastating occurrence causes you to lose your emotional stability, or you have a character conflict where you need to conceal improper sentiments.

Basically, what I mean by a devastating occurrence is when somebody breaks up with you, or somebody cheats on you or is having an affair, or something in the romantic world, I guess. (NOTE: This is for future reference. Hopefully nobody out there has already had to deal with this. Not without my handy advice! Okay, joking.)

Some examples in literature; from a book I'm reading, and from a story compilation I'm kind of writing.

Janie had looked up. Reeve could not meet Janie's gaze. There was something glinting about her, like a setting sun in his eyes. Without inflection, just plain words, as if reading a vocabulary list, Janie said to him, "Don't call me. Don't come to my house when you're home."
     "No, Janie, please," he said, and his voice cracked. "I still love you. Let me talk to you alone. Please."
     "If you even liked me, you would have stopped yourself from doing this."
     "That's not true. I just wasn't thinking. I still love you" (122).

Reeve leaned against a building and slid down the bricks to the sidewalk, like a drunk. The expression on Janie's face! The stunned blankness, as if he had slapped her (125). 
Source: Cooney, Caroline B. The Voice on the Radio.  New York: Ember, 1996. Print. (This book here.)

Whatever it is, he's already done it.
     And he's not asking for forgiveness.
     He's pleading for punishment.
     All at once I realize it. I put the pieces together – his state of being disheveled, the look in his eyes, the pleading for punishment – and I get it.
     He cheated on me.
     He must now see my newfound knowledge on my face, because he takes a step closer to me, arm outstretched in a pleading gesture.
     “Please – I can explain-”
     “Please do,” I say, trying not to let the iciness come through in my voice. I try to sound even, to sound diplomatic. I try to sound like I empathize: people make mistakes, forgiveness is almost always reached somehow. I try to sound like a counselor or therapist, and he's speaking about having done this to someone else, someone out of my reach, someone I have no ties to and no desire to meet face-to-face. But it hurts. It cuts, right into my heart, and there's a hollow feeling in my chest that I can't remedy. He's done this to me. And all of a sudden I snap. I can't help it.
     “How could you do this to me?” I say, my voice hoarse and weak and raspy. My breath catches and my heart pounds weakly in my chest, aching and throbbing for every beat. I can't look at him but I have to, I have to transmit my pain to him. “How?” My voice starts trembling then, like I'm scared I'm going to be hit even though I already have been.
     “I- I don't know.” Suddenly, the voice I used to love is strangled and tied up in knots too. His guilt is so overwhelming that he needs no words.
     Saying his name crushes my frantically pounding heart, willing it to disappear. “I would like you to get your things and go.”
     “It wasn't me,” he pleads, but I catch his eyes and know instantly that it was.
     “My God!” I shout then, not even bothering to keep my voice down. “I'll bet it was a coworker, wasn't it? You figure, we're getting out late. My son won't notice. My wife won't care. And oh boy I can't control myself!” I'm shrieking so loudly I don't even recognize my own voice, shrieking so my voice can get through my tightening throat. My eyes spill over with tears, and my rage only fuels their fire (25).

Source: my story compilation of tidbits of the lives of characters from the age-old tale, Sunlight. (Oh, new readers. I do not pity you for not knowing in the least about what I am talking. Sunlight was a torture I do not ever want to put anyone through again. There is a reason I excluded names from the above passage.)


Okay, so, my point is comparing how we act in these situations to how I think it would be better to act. (My personal opinion, based on my personal, and not so intense, but similar, experiences.) If someone you really cared about were to tell you that things weren't working out, or they were seeing someone else, or to just initiate a break-up, we would inevitably feel betrayed, upset, infuriated, and desperate, right? But, as I see in all these romance novels and movies, I don't think lashing out or pathetically begging is really the answer. I understand that when you're mad at someone, it's really hard to hold that inside and pretend it doesn't exist. But I've thought about it, and I would hope that if someone were to break up with me, they would come talk about it with me in person, so we could have a reasonable conversation and say our goodbyes in a civil fashion. However, in this day and age of IM and texting and Facebook and Twitter, I hardly think it's likely that anyone would take the time to break up with you face-to-face, especially if they're cutting you off to get with someone else. So, if you maybe see a post online somewhere saying "We're done" or "I want to break up" or maybe something more accusatory, or a status update saying "single", or pictures of some new girlfriend/boyfriend, I would hope you can try to get a time to talk to them about it (don't start throwing out the insults or groveling at their feet; they deserve neither for the way they broke up with you) and get both sides to understand and say goodbye the way they should.

If someone is cheating on you/having an affair outside of your relationship, it's going to be a bit harder to understand that because, like the breakup, it's them leaving (or maybe not leaving) you, but, unlike the breakup, they're not acknowledging they want somebody else before pursuing it. If they tell you straight out, however, bravo for them. I can see how it would be horrible to have to admit to someone what you're doing, especially if it's of that magnitude. Like in my story compilation, I think it's easier said than done to act like it's all happening in the third-hand, and you are completely on the outside, especially if it's happening to you. But, if they truly feel badly about it, it's hard to hold a really long grudge. However, if they don't feel badly about it and they're just letting you in on a long ongoing secret and they don't really care how it affects you or your relationship with them, it's better to still be civil. Maybe just let them off the hook as neutrally as you can, if manageable. I can infer that it would be horribly crushing if this happened, if somebody you love had betrayed you in this way. But, not even jerks like them deserve your anger.
I stand up and something overtakes me. I feel my arm prepare to strike him across the face, but I hold myself back. “No. You're not worth that. That's what you want, isn't it?” (more from my story compilation, 26).
Because they (maybe) expect you to crumble, you should hold back - in their presence, at least - from showing them your weakness. If you are so broken you can't possibly refrain from any sort of release of emotion, I can understand.

If the case is that it's just somebody who pushes your buttons and for some reason there is an unavoidable "character conflict," I believe it is easier to feign politeness and niceness. In some situations. I've found that I just end up talking in very short sentences, because long sentences will make it easier to start to vent my anger. Sometimes I paste on a polite, "I'm in the presence of unsuspecting strangers" smile and keep my angry monologue running full-speed inside my head. (Trust me, you wouldn't want to hear that one out loud.) I try to act as I feel they would expect me to, and keep up conversation or polite gestures until I can get away from them. Okay, if it's a sibling, there's probably less need for formalities, but no need to lash out on them. (Well, I'll admit, I do kind of lash out by criticizing them loudly to myself in a sing-song voice until they storm off.)

My hope is that some of you readers have your own ways of dealing with these emotional outbursts that are tried and true. If so, help us out! (Half the time, I don't even know what I'm talking about. I've never been there. I don't really know how it feels.)

By the way, The Voice on the Radio is part of the series of the "corny '90s horror books" (OTTILT Sep 7).

Friday, July 5, 2013

What to Do... Dead Plot (4)

... if you have a piece of writing where the plot is just dead. You don't know what went wrong with the idea or how it just came to stop where it did. Well, don't despair! And certainly don't throw it away. (Trust me, I always end up regretting that at some point later on.)

"Ways to Revive Dead Plot

  • throw in a surprising or unexpected plot twist
  • introduce a new character that will change the plot or the main character
  • determine where you think the story is headed and map an outline - how to get to the story's climax
  • pause the action with a flashback of the character(s)
  • have the character soliloquize or ponder on their desires, thoughts, problems, memories, etc.
  • off to the side, write character descriptions, setting descriptions, plot planners, etc.
  • try to get another, fresh mind into the world of the story to give a new take on things (i.e., a friend or relative)
  • what are you feeling/doing? -- put it into the character/plotline
  • write down any and all snippets that come to mind in developing upon the story
  • backtrack from a different character's point of view"
excerpt taken from journal; written on July 2, 2013

Now, I haven't really taken my own advice on this, so I don't know how useful any of this will be. I do find that secondary viewpoints give you a deeper understanding of the characters' emotions and the feelings in the plot. 

Wednesday, June 19, 2013

Extant

Hey everybody! My book, Extant, has been published and is now available for sale right here! https://www.createspace.com/4092100

This is the same book I was talking about back in November when I posted about NaNoWriMo (National Novel Writing Month). Asteroid headed for the earth, the scientists save humankind by setting up these airships and head out into space for the only planets they think they can inhabit. Well, I've written a "blurb" for it, and here it is:

The year is 2026. Amidst a new technological society, a meteor heads straight for the Earth, threatening everything the humans have. People are divided by region and sent out into space on airships, headed for the Alpha Centauri galaxy. On the airship, the only task of the people is to keep the population at safe levels. However, a baby born to one couple is deemed an expendable due to supposed mental disabilities from a spinal deformation and "demoved" via shuttlepod. 

A little more than a decade later, the child crash-lands on a planet inhabited by the strange Bartok people, intelligent human-sized insects adept at technology. Adopted under the wing of the widespread leader, Deshen, she learns from his rebel daughter about a battle brewing just under her nose, sparked by the rebellion of Deshen's woods-dwelling brother, Botten. As she advances in the Bartok school, she becomes an inextricable part of the plans laid down by the anti-war group that Deshen's daughter is a part of, as well as the small forest clan community.


If you're interested, or if, down the road, you read it and like it, PLEASE pass this on to your friends and family. Thank you so much, and if you're interested in reading, enjoy! https://www.createspace.com/4092100


Wednesday, November 7, 2012

NaNoWriMo

Somehow I declined to post the single glory of the month of November on the day of its beginning. NaNoWriMo. It's wonderful and it's awesome and it's inspiring and it's motivating (and it's not for English class, sadly enough). NaNoWriMo stands for National Novel Writing Month, and the general rule is all participant writers have to write fifty-thousand words for their novel - and there are no criteria for content other than a) it has to be fictional, and b) it has to be your original work that you've written over the month - in thirty days.
It really is fun. This is my third year doing it(on the Young Writers site), and my goal for this year really is 50K. Last year I kept it at 30,000 and I don't remember what it was the year before that(honestly, I'm not even sure if I wrote anything for 2010). It is a great exercise for any and all writers. It keeps you on your toes and within quotas and you're zooming through it like a speed train. There is no room for writer's block, there is no room for editing or pondering the next chapter or the creation of this character: everything is an on-your-feet judgment call.
Last year I wrote what can only barely be considered fictional within semi-autobiographical writings. I created a character, Freddie Halsey, who was just as antisocial as I, and I put her in a Social Skills class for the year and she had to pass the class in order to graduate. I liked the idea at the time, but when I read it now, it really flopped. It just wasn't a compelling narrative. This year I'm writing a dystopian novel, somewhat related to Seeking a Friend for the End of the World in plot (the whole asteroid-will-hit-the-earth-in-a-month-and-all-humanity-will-be-lost type thing), centered around technology, and my main character claims to be the only literate person alive - the early stages of the story focus on the importance of her journaling to her and how it's rumored to be illegal... Anyway, you've likely already lost interest, which is well enough, because that summary was just a ruse. Not a lie, just a devious way of keeping my juicy dystopian fantasy to myself. (If you are interested, add me on Google Plus and I'll send brief excerpts of the story.)
So. NaNoWriMo. If you're a writer, you should think about it. It's fun.